Calendar

This exhibition grows from a body of work by Abe Partridge, recounting his time in the religious communities of rural Appalachia. It is the culmination of a 2.5 year process that models ways art and other forms of cultural production can expand meaning across religious, cultural and geographic divides. Originated in 2022 by Alabama Contemporary, With Sign Following is on at Kentuck at Queen City in March 2026.

In this brand new body of work, Tony Rodrigues tackles the growing housing crisis with paintings full of crushed marble that rupture and disrupt idealized subject-matter of a world in the wrong kind of excess. Through depicting a fictional “neighborhood”, Rodrigues explores not only what we desire from our lived spaces, but the dilapidation, entropy and rot that riddle a broken system.

For this networking series, we'll be back AC Satellite to show off Homestead Extinction, a pop-up artist takeover by Tony Rodrigues, talk about teaching opportunities, our upcoming education pavilion, and all the exciting possibilities in this new experimental studio space.

In a partnership exhibition originated by Alabama Contemporary for the Mobile Museum of Art, artists Calder Kamin (Austin, TX) and Jacob Reptile (New Orleans, LA) transform trash into soft and complex sculptures to create a new kind of environment. Through purposeful reuse of fabrics, plastics, and second-hand materials, these artists create new alien lifeforms, flora and fauna, to populate an imagined landscape.

This drawing course led by local artist Anna-Marie Babington is a meditative and fun way to flex your people-sketching muscle while building community. Class will happen each Tuesday at 6 PM for 3 weeks starting on April 14, but is also open for drop ins at $25/night or $75 for all sessions.

In honor of the current pop-up exhibition, Homestead Extinction, a panel of experts will delve into the American Dream that is homeownership, or the death thereof, hurdles, innovation, and possible solutions. Entry and refreshments by donation.